Bridal Vocabulary Guide
Bridal shopping has its own language.
One minute you’re looking at gowns, and the next you’re hearing words like Basque waist, horsehair trim, and chapel train and wondering if there will be a pop quiz.
This is your bridal cheat sheet, from your Bon Bon Belle team that knows these gowns inside and out. Each term matches the words on our product pages, so you can shop by what you love.
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Silhouettes
A-line: Fitted through the bodice, then flares gradually from the waist into the shape of a capital A. Flattering on nearly every body.
Slim A-line: An A-line with a narrower skirt that skims the hips. Less volume, more ease.
Ballgown: A fitted bodice with a full skirt that starts at the waist. The most traditional bridal shape, with the most volume.
Fit-and-flare: Fitted through the hips, then flares gently from about mid-thigh. Easier to move and dance in than a mermaid.
Trumpet: Fitted through the hips, then flares from mid-thigh into a fuller skirt. It sits between fit-and-flare and mermaid.
Mermaid: Fitted through the bodice, hips, and thighs, then flares dramatically at or below the knee. The most body-hugging silhouette.
Sheath: A slim, straight shape that follows the line of your body with no flare. Light and easy to wear.
Shop by silhouette:
A-line · Slim A-line · Ballgown · Fit-and-flare · Trumpet · Mermaid · Sheath
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Necklines
Sweetheart: A curved neckline shaped like the top of a heart.
Straight-across: A clean horizontal line across the bust, usually strapless.
Square: Straight lines with defined corners across the bust and up to the straps.
V-neck: A neckline that dips into a V, from subtle to deep. It lengthens the torso.
Plunging V: A deep V that extends below the bust line, often with illusion fabric for support.
Scoop: A soft, rounded neckline.
High neck: Covers the collarbone and rises toward the neck.
Halter: Straps wrap around the back of the neck, leaving the shoulders bare.
One-shoulder: A single strap or sleeve over one shoulder.
Off-the-shoulder: Straps or sleeves sit just below the shoulders, framing the collarbone.
Strapless: No straps or sleeves. Support comes from the bodice structure.
Illusion: Sheer fabric, often with lace, that gives the look of bare skin while adding coverage and support. It’s also used on backs, sleeves, and straps.
Shop by neckline:
Sweetheart · Square · V-neck · High neck · Halter · Off-the-shoulder · Strapless
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Sleeves
Cap sleeve: A short sleeve that just covers the top of the shoulder.
Short sleeve: Ends above the elbow.
Long sleeve: Ends at or near the wrist.
Puff sleeve: Gathered for volume at the shoulder or along the sleeve.
Bishop sleeve: Full through the lower arm and gathered at the wrist.
Flutter sleeve: A light, loose sleeve that moves as you do.
Detachable sleeves: Sleeves you can remove to change your look between ceremony and reception.
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Bodices and waistlines
Corset bodice: A structured bodice that shapes and supports, often adjustable at the back.
Boning: Flexible supports sewn into the bodice to hold its shape. The hidden structure behind a well-made gown.
Cups: Padding sewn into the bodice so you may not need a bra. Your seamstress can adjust or add them.
Natural waist: The seam sits at the narrowest part of your torso.
Basque waist: Dips into a V at the front, which lengthens the torso.
Dropped waist: Sits below the natural waist for a longer line through the body.
Empire waist: Sits just below the bust, with the skirt falling from there.
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backs and closures
Zipper: A hidden zipper, the most common and easiest closure.
Buttons over zipper: A row of buttons for looks, with a zipper underneath so you’re not buttoning 40 loops.
Corset back (lace-up): Laces up the back like a corset. It’s adjustable, which gives you a little flexibility in fit.
Illusion back: Sheer fabric across the back, often with lace appliqués, so it looks open but stays secure.
Low back: A back neckline that dips toward the waist.
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Trains
Sweep: Barely brushes the floor behind you, a few inches long.
Court: Extends about a foot behind you.
Chapel: Extends about three to four feet behind you. The most common bridal train.
Cathedral: Extends six feet or more. Formal and dramatic.
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Bustles
A bustle lifts your train after the ceremony so you can walk and dance. Your seamstress adds it during alterations.
American (over) bustle: The train is hooked up and over the skirt.
French (under) bustle: The train is tucked and tied underneath the skirt.
Ballroom bustle: The train is lifted all around so the gown looks floor-length.
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Fabrics
Tulle: A light, fine netting. Layered, it creates soft volume.
Illusion tulle: The sheerest tulle, used where a gown should look like skin.
Organza: Sheer and light like chiffon, with more body. It holds volume without weight.
Chiffon: Light, airy, and flowing. It moves beautifully outdoors.
Satin: Smooth with a soft sheen. Classic and structured.
Charmeuse: A lightweight satin with a fluid drape that follows the body.
Mikado: A heavier, structured fabric with a subtle sheen. Made for clean lines and architectural shapes.
Crepe: A smooth, matte fabric with a soft drape. A favorite for modern, minimal gowns.
Jacquard: A fabric with a pattern woven in rather than printed, so the design shows through texture.
Lace: Openwork fabric with patterns such as florals, scallops, or geometrics.
Shop by fabric:
Tulle · Satin · Crepe · Lace · Chiffon · Mikado
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inside the gown
Lining: The smooth layer against your skin, for comfort and coverage.
Underlay: A layer beneath the outer fabric that changes how a gown’s color reads, for example a blush underlay under ivory lace.
Crinoline: A stiff underskirt that adds volume, especially to ballgowns.
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Colors
Screens show color differently, so here’s what each shade looks like in person.
Ivory: A soft, warm white. The most common bridal color, and flattering on most skin tones.
Off-white: Slightly brighter than ivory, with less warmth.
Champagne: Ivory with a golden, beige warmth.
Nude: A skin-toned layer, usually under lace, that makes lace appear to float on the skin.
Blush: A barely-there pink, often as an underlay.
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Details
Appliqué: Lace or fabric motifs sewn onto the gown for dimension.
Beading: Pearls, crystals, sequins, or beads, applied by hand or machine, for texture and sparkle.
Embroidery: Decorative stitching that creates patterns on the fabric.
Horsehair trim: A flexible band sewn into a hem to give it shape. Despite the name, today it’s usually synthetic.
Cut-outs: Intentional openings in the design for a modern look.
Slit: An opening in the skirt that adds movement.
Pockets: Exactly as great as they sound.
Overskirt: A removable skirt layer that adds volume to a slim gown for the ceremony.